The Intimacy of Ruthless Honesty

Intimacy means being real, but not always being nice. We live in a world of appropriateness and politeness where we have all culturally agreed not to make each other uncomfortable or press each other’s buttons. This habit of holding-back creates insipid and stagnant relationships. I don't want you to hide the truth from me when you see me behaving smaller than I really am.. I want your challenge, your insights and above all your ruthless honesty.

However, beware: if you don't express your challenge constructively with sincere love and with the other’s interest at heart, then instead of supporting your partner in their higher truth, you are likely to send them deeper into the resistance and probably start a fight.

Who want their truth varnished? Not me.

In order to live this truth fully and richly you have to be ok with other people sometimes going into dramatic reactions around you. It’s important to know not to take their reactions personally. If you are terrified of people’s anger or even their tears then you might limit your honesty with them and therefore limit your Intimacy with them. One doesn’t have to be bluntly hurtful to be clear and ruthlessly honest.

Can you trigger someone’s resistance and know it’s not ‘your fault’?

(i) What is one specific truth you’d have liked to tell your former partner or you’d like to tell your current partner, or anyone in your life - and yet you didn’t or don’t for fear of not being ‘nice’? Please write it in the lines laid out below.

(ii) When you look at what you’ve written, are you sure it’s expressed in a manner that is constructive, full of love, supportive, and with that partner’s interest and well being at heart?

(iii) Go through it to make sure you’re clear about how much this is ‘for them’ and how much is ‘for you’, and then express your truth or challenge to that person from a loving place.

What About Intimacy weekends at http://www.jamiecatto.com/about_intimacy

The Carnival Of Aggression

I've applied to meet my own aggression. It's always been there, it has a familiarity when it rears and rages, but I've never faced it soberly, explicitly acknowledged it exists and observed all it's sudden, surging entrances and thinly veiled expressions.

I know I am aggressive in many ways. Surgically aggressive with emails to people who I perceive as trying to be dishonest or unfair or disrespectful with me. I stress the word 'perceived' because there's often a difference between the perceived disrespect I'm reacting to and the actual disrespect being delivered. It's obvious that my reaction is based on how I'm perceiving the person triggering me into my aggression. If I am seduced, at the time of the trigger, by my anger's clever justification for it's self-righteous raging : "this person's an idiot" "this person is disrespecting me' "this person is trying to be dishonest with me" …then I will mistakenly label that trigger-person as the CAUSE of my anger rather than face the Truth which is that they are just the TRIGGER of the anger which is already there, bubbling away in me, reactive to triggers like this person.

I am a volcano.

The anger and aggression is in me. It's reactive to certain kinds of people and also certain kinds of situations, usually ones where I feel overwhelmed. Recently Memphis had an accident and entered the room screaming with her foot dribbling big blood drops all over the place. My first reaction to the sudden shock and worry was rage at Indy for having not cleared up the glass she had broken this morning more thoroughly. And then rage at everyone not jumping around to support me quickly enough even though there was nothing specific I needed done or had asked for support in. My aggression is useless and misguided in that situation and, if anything, could hinder efficient essential action if not reigned in quickly enough.

Another well worn aggression-trigger is my responses to my ex-wife. I not only look at the way I react to my stories of 'how I'm being treated', but I also have to examine my own manipulative aggression. I'm sometimes feeling like the victim to hers but I also have to look at how I am just like the projected 'her' I am complaining about. How have I distorted facts and information to get my way? How do I present one-sided, incomplete versions of things to get my way? How do I purport this same kind of aggression on others?

ALso, when I receive a snide, sarcastic email from someone who's judgemental about me, recently usually about teaching workshops and writing my take on life publicly, when someone sends me an overtly or covertly bullying email, especially an indirect, sarcastic kind of message, I want to dissect and kill every syllable they wrote to me and spell out their hypocrisy and blindness to them in a way that shows them, silences them and maybe even kills them. In a way that makes them feel as dismissed as i feel.

I am trying to feel into this "saying fuck off to bullies" attraction that I am experiencing. I want to be metaphorically 'upstairs' as the high being that knows everyone is just a version of me, a lesson, a gift for me to lighten up and let go and at the same time be metaphorically 'downstairs' as a human, primal in flesh and bone and say "fuck off you bully!" to those people so articulately that there is no room for anything but How I see it. This is aggressive. It's an Aggressive way to protect the hurt I feel or the fear I feel in my body from old bullies of long ago. And again, I also have to look at both my reaction but also - how am I just like them? How do I lay my own superiority trips on people? Make them feel small so I can feel less threatened? Do I do that? How am I just like the smug, superior, dismissive bullies?

I've asked to meet my aggression.

And I look at how I shame others, how I make them feel guilty for displeasing me as if they are wrong and responsible for how I now feel. Shaming people when they don't behave as I'd prefer is aggression. I'm examining my speech and my verbal tactics with my kids.

I got furious with someone else recently when I felt she was mocking me. I perceived she was. As I witnessed the perceived mocking twinkle in her eye, the perceived bid for humiliation, the perceived, deliberate cruelty for her entertainment, all these BELIEFS justified a rage surge that named her as the CAUSE and all my trust in her vanished and the jarring exposure I suddenly felt, where I perceived my openness had been mocked made me leap up, say something final and leave the area. I can almost summon the burning sharpness in my torso with the recent memory. The version of her as all these negative intentions was of course totally in me and my 'version' that I had attached all this to. None of it really going on in her at all. All projected.

That sense of 'being betrayed' in me makes me want to kill, makes me want them to feel the pain they've just 'caused' me. Wants to strike out in pain, almost as self defence. And then I ask, how am I like this character I'm painting? How often am I mocking, insensitive, a maker of inappropriate and accidentally hurtful things? A lot. I am aggressively insensitive sometimes.

And when I shared with a friend how I had felt about that trigger of insensitivity they said in one breath "you do that a lot" and a surge of rage exploded in me. "why had they given me an irrelevant auto-response in one breath and made me 'wrong' instead of empathising with the story I was sharing?" The rage of being unseen and wrongly judged. Deeper than that, the alienation and rejection of not being stuck-up-for or backed up.

The aggression in me is big. I am a big personality. I drag a lot of power along with me. I don't want my unconsciously arising aggression to cause harm to anyone near me or to sabotage my life. So I applied to meet my aggression and the reply has been a cast of thousands, people and circumstances delivered by Almighty Productions to both trigger my own aggression so I can observe it and also send characters to mirror and mimic my own behaviours and strategies so that I can see myself in technicolor and tie bells to the ankles of my insidious traps - all the better to hear them coming sooner and not get sucker-punched so often.

I'm being punked by God all the time. I am being treated with humour and mercy. I remember that these strong sensations of fear and anger and shame that arise in waves during these episodes are from one perspective, just my body's genius using the moment to discharge some accumulated, blocked trauma and my system is so self-mending that it uses strong sensations as anuses to excrete emotionally. Maybe the whole soap opera simply serves as an emotional and psychic EXPECTORATE for the humans' EMOTIONAL and PSYCHIC EXCRETION.

What's the best first step you've found in response to rising aggression in yourself, or from others?

www.jamiecatto.com

http://twitter.com/#!/JamieCatto

Intimacy with My Body

Choose Space, not Reaction.

When a challenging feeling arises, or an unexpected situation throws me off-centre, the first organ that leaps into the fray is always my amazing, problem-solving Mind. It's as if I believe that whenever an unusual or shaky feeling arises in me I have to make it immediately go away with a solution or a controlling response from my thinking centre. Yet if I take a breath and a moment of space to allow myself to feel this uncomfortable wave fully before I dismiss it and block or solve it, the seductive, over-reactive urge to control the situation subsides and a less anxious and more trusting sensation is left. This is my Intimacy with myself.

To live intimately with myself and with the circumstances which unfold around me, it takes a moment of space and of listening. This is the habit to cultivate.

Choose Space, not Reaction.

I find a moment alone. I place my palm on my heart, I take a breath, and I feel deeply for a moment. Naturally, I fall into more harmony with what's really going on instead of struggling and resisting by auto-reacting to it.

This Intimacy with myself saves me much angst and energy. It even saves me from alienating other people in my life both at work and at home.

What makes you so triggered that you instantly over-react? Please write below both the trigger or situation and also, next to it, how that behaviour in others is exactly like you yourself in some way.

Please continue with the answer to this vital question: ‘If I had set this situation up as a simulation scenario to show myself something about me, what could it be?’

This is how we participate with the challenging circumstances we encounter. This is where we are powerful, not victims of our circumstances.

What About Intimacy weekends at http://www.jamiecatto.com/about_intimacy

The Intimacy of Full-Body Listening

When I am empty and open to listening, the ideas and insights which arise in me are always far richer and more profound than anything my busy 'front-mind' ever comes up with.

If a friend is hurt and I am sitting with them as they pour their heart-break out to me, when I am truly empty and present with them, not in a mindy solution-orientated mode, but just totally present with them as they speak, then amazing wisdom will come out of my mouth. These pieces of wisdom will contain more amazing insights than I could ever have thought up. In fact, they are usually news to me too! When I'm totally present then the most pertinent and apt genius arises all by itself out of the space between us.

All our best parenting of our kids, and all our best love-making come from a listening and empty place. It's here that our perceptions and sensitivities to the other are most heightened and therefore our responses are richer. As I am quieter and stiller, I receive and am present with more and more of you. As I listen, our intimacy grows and our sense of being connected arises effortlessly.

Let's listen even deeper. When you next hear a baby cry or a dog bark try to listen beyond the actual sound of it to the impulse that threw that sound out, the root feeling that the sound sprang from. Grab your lover, or a friend, and try 6 minutes of unbroken, silent eye-contact with them or your own reflection. All sorts of feelings will bubble up but stay with it for the full six minutes being fully present with all the feelings and thoughts that arise in you and giving full-bodied, focused listening presence to the unique human who's facing you.

Please write below what it was like for you, your levels of stillness, presence and listening. What does it feel like to fully give your attention to someone and to be given someone's full presence? Please tell us how much you heard or perceived with all your senses.

What About Intimacy weekends at http://www.jamiecatto.com/about_intimacy

The Intimacy of Imperfection

Since childhood, we have been so conditioned by our never-ending quest for approval that we attempt to project a 'perfect' image of ourselves to the World in order to be loved. We hide our failings and less attractive qualities from the people around us and present an edited 'brochure' of who we are. We think that if people saw our less charming sides that they wouldn't love us as much.

But the truth is, when we meet someone who is comfortable to be seen in all their lights and shadows, it is the most refreshing experience imaginable. When someone is unashamed of their imperfection, suddenly that so-called fault becomes strangely attractive. Here we see that it's not the quality that is unattractive but our shame around it.

I don't only want to meet your 'good' sides. I want to meet you in your wholeness, warts and all. As we reveal more and more of our crazy diversity, there is more and more of each other to love and laugh about. And so more intimacy is felt and we go deeper still.

This was the core of the song 'Wounded In All The Right Places' we wrote for KD Lang to sing in our last 1 Giant Leap film 'What About Me?' - here's that song:

http://www.youtube.com/watch?v=rrv-sbQj-IQ

What part of you would be a challenge and a relief to let us see?  Please let us know by commenting below. I'm scanning my own list as I ask this:  hmmm.......abandonment terror.......panic attack casualty.......fascist dictator....so many to choose from.

What About Intimacy weekends at http://www.jamiecatto.com/about_intimacy

Intimacy Begins with a Question

from Raisa:

There is not a single question that a child will not ask and there are no questions that should be banned from being asked because when a child meets the World, naturally inquiry arises. In this inquiry the child seeks intimacy with his or her World.

Intimacy is our natural state. It is the state we are born into. Somewhere along the way though, sitting in a primary school classroom, we asked a wrong question and people laughed at us. Somewhere along the way we faced others’ humiliation, dismissal, judgment and negativity when asking our questions, and we learned not to ask ALL questions. In some cases, not to ask any questions at all.

We learnt these lessons at a young age when we often didn't have the mental capacity to question these negative responses to our questions. Because we sought intimacy and were dismissed, we came to the conclusion that there must have been something wrong with us and our questions. Not only did we then begin to suppress our inquisitiveness but we also stopped our search for intimacy. We dismissed our own need for intimacy in the same way that people dismissed us.

Look at your partner openly this evening, or look at yourself in the mirror, with your most childlike eyes, with the eyes of curiosity and fascination. What do you see? Please share with us below. Be specific. Be curious. And above all give yourself full permission to be inquisitive.

What About Intimacy weekends at http://www.jamiecatto.com/about_intimacy

The Intimacy of Asking For What You Want

There have been times in the past, both in my relationship and with friends and colleagues, that I’ve felt ashamed about asking for protection or space or anything that might sound needy or demanding.

It feels vulnerable to ask for what I want or need sometimes. They might see me as weak. I might get refused and feel rejected. I might seem demanding and even if they give me what I ask for it could cause resentment or judgements about me.

The truth is, when you or I ask clearly and responsibly for what we want, it is usually everyone's absolute pleasure to give it to us. And what's more, because we've been vulnerable and present in the asking, we have also given everyone a permission-slip to be open and tender too.

When I resist asking for what I need, I remove the opportunity for the people around me to treat me lovingly, and worse, I suppress my own impulse to love myself by asking for what I need. I block the chances of love from both myself and others simultaneously.

It's brave to be vulnerable and it encourages generosity and intimacy with everyone around us.

What do you hold back from asking for? Please post below something you resist asking for and so indirectly refuse yourself. Dare to ask for what you want today and please tell us below what happened.

What About Intimacy weekends at http://www.jamiecatto.com/about_intimacy

Intimacy is Visibility

We are all so used to only showing each other a fraction of who we truly are. We've been trained to hide the parts of ourselves that might be perceived as weak or needy or angry or unattractive. These qualities have in the past brought us experiences of rejection and loneliness. So to avoid this risk of rejection, we edit ourselves little by little, hiding anything unattractive in us that looks like it might sabotage love and acceptance from others, until we become these crippled 30% 'brochures' of ourselves. We become a smaller, less authentic and a less-than-whole version of who we truly are.

Our greatest excitement is to take the journey together back towards 100%. As I risk showing you more and more of me, vulnerably and bravely letting you see parts of myself that I feel unsure about or ashamed of, I give you an invisible permission-slip to do the same. And every time we reveal another layer, we appreciate and celebrate each other’s vulnerability and beauty. Us being more and more comfortable with who we really are is the Path of Intimacy.

I want you to show me more and more of yourself and for me to feel free to show you more of myself. The journey from that 30% back towards 100% is, to me, the beauty of relationships. It’s where unity lies and it’s where the fun and freedom are to be discovered.

Tell me, what is the one thing of yourself you routinely edit out to preserve a good first impression? Please share the answer with us below, as a first step in our joint work towards reclaiming our wholeness and deeper connection with each other.

What About Intimacy weekends at http://www.jamiecatto.com/about_intimacy

Feelings Fully Felt = FREEDOM

When a challenging feeling arises in me, when I get triggered by an infuriating person or situation, the powerful explosion of feelings is an opportunity to discharge some pain I've been carrying around, probably for years, but only if I can resist taking the escape route of blaming the person or thing that triggered me. Each of our body/mind/emotion systems is genius. It somehow finds a way to set up the perfect stimuli to trigger the volcanic discharge of whatever pain or old wound that it needs to vent that day. I believe all these challenging instances are set up to give us opportunities to wake up and feel more of ourselves, often raw and sensitive like blood returning to a sleeping limb. These endless challenges are not to 'get in our way' but to speed us along by efficiently triggering and discharging old pain that's been dragging us back, and thereby reclaiming as much space and aliveness as can be accessed in this human life.

We are in a constant state of efficient healing. The body is designed that way. It doesn't know what else to do.

But in order for my system to carry out its innately genius catharsis, I need to participate by choosing to fully feel the feelings that arise rather than run away from the often uncomfortable surging sensations. Only if I can keep my attention on these feelings as they are fully felt, every nuance and shade and wave of them, become a connoisseur of that whole realm of sensations without moving to hide them or skip them or resist them, then the body can release a chunk of old pain and leave space for creativity and life to rush in.

It's far easier to blame and complain at these times and frame the whole episode as 'unjust'. It takes courage and repeated leaps of faith to dare to let the tough sensations do their liberating work without escape strategies.

If we made it common practice to fully feel our feelings in the moment that they arose, then there would be little or no need for physical disease on this planet.

'I want to know if you have touched the centre of your own sorrow, if you have been opened by life’s betrayals, or have become shrivelled and closed from fear of future pain. I want to know if you can sit with pain, mine or your own, without moving to hide it or fade it or fix it.'

Oriah Mountain Dreamer

www.jamiecatto.com

http://twitter.com/#!/JamieCatto

Igniting Creativity and Re-awakening Passion in the UK

Huge excitement about launching into a whole year of my What About You? weekend workshops. Such an inspiring bunch of creatives and outlaws showing up to explode creativity, ignite our playful genius and transform shadows into rocket-fuel – or ‘demons into employees’ as one collaborator commented recently. The sessions began as an extension of the talks and Q&A evenings I was doing after ‘What About Me?’ screenings…

http://www.cultureunplugged.com/play/2424/1-Giant-Leap–What-About-Me

…where the group conversations were becoming increasingly edgy and inspiring. Soon we were getting into what really makes us create, where the juice comes from and especially how to access it without waiting around forlornly for some abstract ‘muse’ to whisper from the walls.

Once we started meeting up in groups of 40 or 50 in various locations around the globe it became clear that our creativity had a lot to do with playing with our shadows and thereby harvesting the energy we’d wasted by hiding them and ‘dragging them around in a sack behind us’ as Joseph Campbell said (or maybe it was Jung, I can’t remember).

Soon we were project building from a whole rejuvenated and powered-up place and ideas and plans were soaring – and they still are by all accounts.

these are the dates for the next workshops:

7th-8th July, Lewes, E.Sussex, UK

14th-15th July, London, UK

8th-9th September, Devon, UK

Please have a look at the new website:

www.jamiecatto.com

…and turn right for the workshops.

Or if you’d like to reserve a place right now, click here:

http://www.jamiecatto.com/mentoring

They are all for DONATIONS ONLY – partly because I’m much more interested in everyone coming and not excluding those who can’t afford my A-list celebrity rates, but secretly also because I’m scared that if I put a real price tag on it maybe no one will show up…………….shhhhhhhhhhhhhh

http://twitter.com/#!/JamieCatto

http://www.facebook.com/JamieCattoWorkshops

God's Deaf Waiters

All around you, standing to attention, looking sharp in their tailored suits stand God's Deaf Waiters. They are primed and excited to bring you all manner of amazing delights, conjure support you never dreamed of, whisper to you great ideas and triumphantly manifest unexpected good fortunes and synchronicities to further you on your Mission. The only thing is, they're deaf. So they can't take your orders or understand your desires from what you say you want. No, they can only surmise their orders and your wishes from your Actions.

When we take actions according to our passions they see us getting busy and productive and they get interested, they conclude….oh Jamie's doing that, he'll need one of these…. and they styishly come up with timely gifts that we'd never have imagined were just what we needed, yet summoned by our intent, fuelled by our productivity and commitment, God's Deaf Waiters are all around us, waiting to serve our highest excitements.

Tip big.

All Creativity Workshops at www.jamiecatto.com

http://twitter.com/#!/JamieCatto

YES!

I read a cool passage about Openness today - about being a YES to whatever is happening, even when it's not our preference, if we have to experience it, find the YES in it somewhere, even if it hurts, savour the exact quality of what hurts, every ripple, colour, texture of it, dance with it, become a ninja expert in this feeling - then we Open to it and it no longer controls us, then we feel it deeper and it can do it's genius work.

www.jamiecatto.com

Heartbreak, Warrior Style

Waking up on this gloomy Sunday morning in London I feel back to when I was so heartbroken last year, how brutal Sundays could be. If you're going through a tough separation, I want to share with you a couple of things you already know such as: don't forget that this is but a painful TRANSITION, not a painful entry into a painful new life. Last year I was having an agonising time 'being left' by my ex-wife and battling with abandonment, jealousy, lostness, loneliness. While I was still trying to keep my old reality intact and not surrendering to what was really unfolding, I did a lot of emotional violence to myself in resisting and not trusting. What I didn't know then was how brilliantly abundantly treated I was soon going to be, and how as soon as I placed my focus on the next chapter, not the last one with all its alluring hooks and safe, known comforts, I would be met with limitless support and exciting, nourishing new gifts. I'm not suggesting that you deny or suppress your pain or force yourself to 'move on' too quickly, but I do want to remind us both that once your deeper focus and vision is directed to the next chapter, your innate genius adapts and creates and attracts wonderful new circumstances, people and surprises which reflect a higher vision of You - and that that creative genius takes it's lead from where you direct your attention. This is where you can be powerful. A therapist once reminded me to edit the negative tape I was playing back in my head. Relationships ending provide a great opportunity to raise our awareness on the 'version of events' we are playing back in our heads. I don't know in how much resistance you are right now, or how you are faring as regards clinging, turning scenarios over and over in your mind, looking back not forward, injustice and loneliness - but I want to remind you, just in case, that there is a slither of choice here to look through a more optimistic lens, a lens which trusts that 'even though I have very limited vision here and it looks dark, perhaps the 'All That Is' has a wonderful array of scenery and characters and positive unfoldings, uplifting and healing revelations in store for me. After all, I've been well supported in my life so far, the evidence and past experience suggests that a positive outcome is more likely than ruin.'

When I was at my most disempowered and terrified state during my divorce I had a formative experience on a London Underground train. I was sitting there listening to music on my headphones and my iPod was on 'shuffle'. A piece of really sad film music was playing, and as I sat there listening, my own apparently despondent predicament engulfed me. I looked around the carriage and everyone seemed so isolated and lonely. I sank even deeper, feeling all the tragedy of my situation, how much of a victim I felt in it and as I allowed that perspective free reign in my mind, that convincing, depressing reality became more and more 'true' for me. It was painful. Then the next track came on and it was something really triumphant and rocking by The Clash. Immediately my chest swelled a little and my posture became fractionally more erect. The tube doors opened and I strode down the platform, strong and upright. The music pumped along jubilantly in my ears and I walked all the taller. 'Look at this hero' I thought as I strode down the train platform, 'surviving and thriving amidst all these challenges, I'm unstoppable! Come on then!' I felt, 'Gimme what you got! I'll take you all on!' It was only the soundtrack in my ears that had changed but it really showed me how malleable 'the truth of what's gong on' can be. It dawned on me that there's a degree of choice here.

The tape in our head is the soundtrack. Our beliefs and attitudes to what's gong on. The 'version' of events on which we choose to place our attention is the 'truth' we energise. We will empower what we focus on, positive or negative. So, as Gabrielle Roth says, it takes immense discipline to be a free spirit. To choose the positive 'open to miracles and trust' lens over the usual attractive 'doom and gloom' one. It takes discipline. But there is a slither of choice, much aided by kicking music.

And the reward and even the proof of the pudding is, a year or two down the line, I now know that what happened when my wife and I split up was a wonderful, much needed life-change for me. I resisted it with all my might when I couldn't see the future, but I am now with a heavenly, intelligent, funny, soulful girlfriend who really gets the Me 'now'. Our sex life is glorious and fresh and deeply intimate. Our soul life is so much more 'equal' and mutually supportive than any relationship I've had before. In numerous other ways I am growing into my real wholeness, my less limited shapes, my fullest potential. I have experienced my courage, endurance and self-compassion and awakened a deeper sense of personal responsibility and self-parenting. The list of gifts is long.

I don't want to in any way suggest you rush the grieving, but whenever you have a fraction more energy, allow the next ideal chapter vision to creep in. Allowing some gentle movement in this let's your innate genius begin to lay the foundations for your next incredibly fulfilling chapter. I believe your higher mind and even the Universe itself is conspiring to set up the perfect, abundant circumstances for your pleasure and growth. When we cling to the out-of-control past we drag that process back. When we surrender and bravely trust the big picture, we free up all the forces of bountiful and progressive architecture to manifest themselves.

Beyond all that, I am sending love and trust and an extra bank of pumping electric guitars to spur you onward.

You are a Warrior. Allow your posture to reflect this and the mind will follow.

http://twitter.com/#!/JamieCatto

'Redefining 'Roadblock' - an arrow pointing in an unexpected direction I didn't realise I needed to go in.' Bashar

 

http://www.youtube.com/watch?v=uODUBJ1AITk

LOVE

We fall in love because the aloneness is an illusion , an agonizing one we live with every day due to our brave incarnation in separate vessels of flesh, and the Togetherness of all of us is the Truth. The relief of residing in that Truth feels so good, so right, it is Love. When we enjoy a concert as a group, the aloneness evaporates, and it is Love. When we dance together in a group or in twos and threes, the illusion of separation evaporates and there is Love, the Truth, the Naturalness. When our eyes meet and connect with the Beloved, and Kiss and Touch and meet Minds and Hearts and Souls, the painful lie of separation disappears and there is Love. It is not avoiding the Self but experiencing the True nature of Self which is not just my separated ego but my joined Oneness with You and You and You and all of Humankind and Mother Nature. One is not afraid of Aloneness, one is afraid of the Lie of separation from the One that is all of us, yet the incarnation in flesh tricks us into thinking we are Alone. We are right to reject this falsehood, not brave to endure it. Soulmates are like the cycles of Nature. The Man or Woman who will switch you on today, at this stage may be a memory tomorrow and another may come along to light you up. It's also possible that you may choose just one, or two such souls and wander for years together, learning, loving, dancing in the Pleasure and the Wisdom of Surrender together for as long as it feels wonderful and Nourishing. Remember though, to overly attach to this person and use them as the Source of Safeness instead of the 'all that is', The Source, is perilous. No one can do that for another. We can only receive constant Light and Love from The One. It is a mistake to burden another Human with the responsibility of providing that feeling of Security and Constant attention. Yet, the Love which can be shared with another human, a Lover, a Family member, in Community, on the Dance floor, Making Love, playing Music, sharing Stories, is REAL and to be cherished. It is the experience of the Lie of separation dissolving. It is the Wonder, the relief that all the falseness of Isolation and it's Lonely fears and demons is just our limited human perception as we walk the human path alone, finding our way back to God. We are born alone just so we can remember that it's a Lie and find our way back to Wholeness, to each other to our Community, true Family.

We are One, suffering the Illusion of separation on Planet Earth. When we experience connection we are closest to Truth - and that feels good. It is Love.

Please let me know how you're loving.

Jamie

www.jamiecatto.com

14 Ways I Love Latvia

because that roof makes me think of young poets composing as the snowflakes drift through their garrets

and hiding from the second world war in dark wooden attics

like the sea in all directions

and because of raw function and dependability

because of smoke plumes and banquets

Winter fuel to carry us through

lonely guard posts on corners

through my eyes

the horses are each one perfect

gathering out in the vast cold

I could have stared for hours

I stayed a little longer

breaking my heart with crooked rooftops

this is why I love Latvia

www.jamiecatto.com

http://twitter.com/#!/JamieCatto

Transforming Demons Into Employees in 2012

Huge excitement about launching into a whole tour of my What About You? weekend workshops this year. Such an inspiring bunch of creatives and outlaws showing up to explode creativity, ignite our playful genius and transform shadows into rocket-fuel - or 'demons into employees' as one collaborator commented recently. The sessions began as an extension of the talks and Q&A evenings I was doing after 'What About Me?' screenings...

http://www.cultureunplugged.com/play/2424/1-Giant-Leap--What-About-Me

...where the group conversations were becoming increasingly edgy and inspiring. Soon we were getting into what really makes us create, where the juice comes from and especially how to access it without waiting around forlornly for some abstract 'muse' to whisper from the walls. Once we started meeting up in groups of 40 or 50 in various locations around the globe it became clear that our creativity had a lot to do with playing with our shadows and thereby harvesting the energy we'd wasted by hiding them and 'dragging them around in a sack behind us' as Joseph Campbell said (or maybe it was Jung, I can't remember).

Soon we were project building from a whole rejuvenated and powered-up place and ideas and plans were soaring - and they still are by all accounts.

It was an exciting prospect to mail out the new workshop dates to the 20,000 folks on my mailing lists from my music and films. But what I hadn't banked on, or remembered, were the people I had alienated in the last 10 years by being a total self-involved dick-head! Yes, it was great to receive hundreds of loving and supportive emails from fans and friends and excited creatives and outlaws all signing up on the first day - but the replies which stick in my memory are the two or three (or was it four) letters I got back from still-frothing and vitriolic people who I had offended, hurt, dumped-on, arrogantly dismissed or, in the case of one, trashed their house (apparently). I felt like a drug addict in rehab on one of the Twelve Steps where you make amends or acknowledge all the people you've done wrong to.

It made me reflect on how unpleasant I had been at times in the past, mainly to cover up my insecurity at feeling so out of my depth in those situations. I cringe when I think of myself swanning about with my big 1 Giant Leap boots on thinking I had all the answers. Thank God I had such a genius team working with me or What About Me? would have never seen the light of day.

Thankfully now I really DO have all the answers, so be assured, if you come and create and connect and laugh and shadow-dance with us you'll be in safe, all-knowing and benevolently humble hands.

these are the dates so far:

28/29 January Frome, Somerset, UK

4/5 February Amsterdam, Holland

11/12 February London, UK

18/25 February Koh Phang Gang, Thailand

17/18 March Deia, Mallorca

24/25 March Bristol, UK

14/15 April London, UK

21/22 April South Africa (tbc)

5/6 May Gibraltar

Please have a look at the new website:

www.jamiecatto.com

...and turn right for the workshops.

Or if you'd like to reserve a place right now, click here:

http://www.jamiecatto.com/workshop/signup

They are all for DONATIONS ONLY - partly because I'm much more interested in everyone coming and not excluding those who can't afford my A-list celebrity rates, but secretly also because I'm scared that if I put a real price tag on it maybe no one will show up................shhhhhhhhhhhhhh

[youtube http://youtube.com/w/?v=oWzTWEPU5wU&feature=youtu.be]

http://twitter.com/#!/JamieCatto

Orgasms

In France they call an orgasm a 'petit mort' - little death - I love this because yes, an Orgasm is the moment when Heaven and Earth touch for an instant, when we become at once no one and everyone. When I am with my Lover and she falls off that edge into those ecstatic waves, my focus and attention in those next moments is as fully attentive and present as in the journey we've both just taken to reach that peak together, perhaps even more so. At the moment when my lover comes I feel her at the doorway to all her highest and most magical possibilities, I see light streaming in and all the limitations of her purely earthly life melt away. Her whole being floats in those instants in the ocean of 'All That Is' unbound by any beliefs or limits of the everyday. My great honour is to hold that space for her, to surround her with all the peace and magic I can invisibly bring, like a protective cocoon, empowering and guarding that perfect, fragile space as she gently re-inhabits her earthly body again, renewed and elevated to her next fully realised incarnation.

This energy is reciprocal. I am also transported into my own limitless possibilities when I come and my Lover holds me in that space. She becomes the whole of the nurturing Earth, her arms encircling me hold me in all my vulnerable, naked, unguarded rawness. At that moment I have the possibility to reawaken from the raw elemental ocean as my own highest idea of myself too.

I haven't always felt ready to allow in that safety. For one thing, when I've felt my own orgasm approaching I've often moved my rhythm or sexual energy to prolong the love-making, delay coming. My first question which has unconsciously arisen, still resonating with an outdated yet primal paradigm, has been 'Has it been long enough yet? Is she satisfied?' Don't get me wrong, I'm all for the Taoist controls and disciplines to give and receive everlasting pleasure, but so many times, when I've come earlier than I wanted to, it has been accompanied by a feeling of failure or shame, wondering if I didn't do it well enough, so now, when I come, the shift is palpable. It has been a journey to really fully allow myself to be held in that sacred space, so open and unguarded. To both be a strong man and also melt into my tenderness, control-free, totally vulnerable.

This surrender has only recently arrived in my life. My Lover offers me total love and acceptance. She holds me in my wholeness, without any head-trips, loving me beyond any of my old ideas about myself, fully sharing the limitless abundance with me.

Every moment offers us the possibility to step into a more realised version of ourselves. An Orgasm magnifies this opening like a portal and there we can be with each other in the doorways and on the bridges, letting old things fall away, allowing new energy in.

This is what I feel we can be for each other in those moments. This is our gift to each other as Lovers, as Kings and Queens of the infinite.

Wishing you all a sexy, intimate week. Please write to me and share your experiences.Please join the facebook group Woodsmen For Women and share more about this and all subjects of intimacy and connection...

http://twitter.com/#!/jamiecatto

Painting of the Entrance To Heaven by Hieronymus Bosch

www.jamiecatto.com

Jamie channelling Raisa about The Breslava Collective

J: I've collaborated with people who are very talented technically and enthusiastic but the missing link is that if I'm not meeting people on a deep personal level, if they're not sharing their whole selves with me, if I'm not feeling their vulnerability, their humanity, their uniqueness then there's a huge void because that's really at the core of what Art means to me - connecting deeply with people even in the sticky, vulnerable, uncomfortable places - sometimes especially those. So I wanted to put together a group of people who were prepared to dare to do that and make art that arose from that, the courage of that and the juicy excitement of being in that kind of a raw space with people. So I went about trying to create a group of people that were artists but were also willing to meet me at that place, so that we could get together in groups and as we were working on our Art or sharing with each other - Art would arise from our deep vulnerability that I was missing in other collaborations.

R: What were you planning to do with these people? Just to get together? Was is kind of like a hanging out meet-up group?

J: I felt vulnerable because I didn't actually have what we were going to do when we got together planned, so that was a big risk, even though I knew what I wanted in the sense that I knew I wanted to be in a group creating Art and sharing deeply with ourselves, I didn't actually know, Day 1: what we would do, would we all stand in a circle and play a game? So that was a very big learning curve and a very intense vulnerability - terror and excitement all at once too.

The way I work is spontaneous, is to follow the most exciting, the most potential-filled elements that I'm presented with in the moment. So it's like working with a piece of clay, and as the piece of clay is randomly becoming different shapes, when it presents itself as something like a horse, and I think suddenly oh I'd love to make that into a horse, then that's what it starts becoming.

I feel that everybody in the Collective, even though I have the last word, it's collaborative not democratic, but I feel that everybody there has a source of genius to be tapped, everyone has creativity, imagination and skill that I want brought to the table.

R: Sounds like you have different artistic disciplines within this collective, how did you decide to do that and what was your reason?

J: For me, I wanted to create a pool of the things that inspire me most. I'm not only inspired by acting, I'm inspired by great writing, I'm inspired by great physical theatre, I'm inspired by the visual arts, and it goes beyond even the arts, I'm inspired by scientists, I'm inspired by how the Universe works, biology, healing, meditation, spiritual things. I have a hope that when we're further along we will one week bring in a meditation teacher or a body worker and he'll take the group through some experiences and exercises which aren't directly artistic but will feed into our Art - or bring in a scientist that'll tell us certain ways that planets move or certain things about molecules that'll inform us, anything that's really inspiring and juicy and exciting about how the World works, I want to bring it in. I want a broad spread of different personalities, different practices, different inspirations to go into the collaborative pot.

What's really juicy is to see people who aren't used to this rawness and vulnerability how they respond, because just on the first session when I requested that each member bring in a list of 'I wants' - even being asked to write a list about 'what do i want', one of the members refused to write the list and I chose to be quite firm with him and said "if you don't even want to do the first thing I've asked for the group then don't bother coming" and it ended up with a phone-call where he realised that his resistance to writing the list went much much deeper than the list and this collective, it went into who he was as an artist and who he was as a man and how he felt treated by the world and where he fitted in and it was a massive inroad into him that cracked him wide open and on the first long phone-call about this he ended up sobbing on the other end of the line and then showed up to the session with a very profound and deep list that he read out to the group. Another member didn't tell me that she didn't want to write a list but when she arrived she hadn't written one and gave the group a whole speech about why she was sick of lists and was actually quite angry about it and was challenged during the session and never showed up again. There was another member who asked whether we could delay one of the later sessions and she texted to say could we move the session later - I didn't feel to do that, I didn't want to move it around again and help her out. It triggered her into a massive sense of unwelcomeness and being rejected and not being valued or cared about and she found it very difficult to stand in the vulnerability within the group of saying how she felt. Instead, her version of what had happened was that it was a reflection on that 'we weren't really a collective'. She decided to blame the group and blame the way we were working for how she felt instead of stand vulnerably in really how she felt and dare to be seen by everybody as being scared to be rejected as she felt that made her too small - so she decided to leave the group rather than dare to stand in the vulnerability.

So it's been very powerful to see who has the kind of staying power to stand in the vulnerability I'm looking for and who has the courage to go deeper into the dark parts of the forest where the deep magic is - because in all our mythology, in all our fairytales, it's when the hero or heroine dares to go into the deep, dark part of the forest in the story that the magician or witch appears and gives them a magic sword or magic shield. It's when the hero decides to be courageous and go into that darker scarier place that all the magic of the Universe comes to their aid and wonderful Art gets made. I don't want to work with people that aren't prepared to go into that deep dark part of the forest - no great Art comes from finding the safe path through the forest. The artists I admire, the great Art that I have witnessed on the stage is the times when people have taken risks. The reason we all look up to them so much is that we aspire to be that brave and be that raw and vulnerable and those are the people that really turn me on. Those are the people I want to work with in my collective so when people can't take the heat of the kitchen I'm very happy for them to leave.

R: You make it as though everybody's discomfort is what you're looking for - how does that serve everybody else? What do we get from it?

J: I'm just not interested in the known. I'm interested in the unknown, in the original, in the surprising, the fascinating, and all those things happen in the unknown - and those are often uncomfortable places. The times we feel uncomfortable are the times when we don't want to go to the places that are unknown. It doesn't have to be uncomfortable as in cringy or embarrassing or painful, it's just unknown, it's uncharted territory and that's where we're going to find the most original and exciting stuff. I don't want actors that are particularly good at crying or particularly good at rage or particularly good at English Shakespearian acting just to give me the rote, give me the thing that they're good at, give me their best talent that they've done before that worked. That's not what I'm interested in. I'm interested in finding the magic that happens in the place where we jump off the edge into stuff we don't know if it's going to work - that's where the really original fascinating stuff that breaks the boundaries of what we're used to and amazes audiences is to be found - not in 'I'm just very good at this so I'm going to do it again'. It's the unknown that I'm looking for and that is often for a lot of people uncomfortable.

 

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All Fools Day

In our age one of the greatest feast days of the whole year should be April 1st - All Fools Day. A day that should be kept and celebrated religiously and universally. A holy day when no work is done. A day given over to the divine fantasy of holy gaiety. A day of the giving away in unending foolish-non-rational-generosity of gifts clothed in the marvels of the imagination. The entering of strangers houses and the placing of gifts upon their tables.

A day of mystical jokes concealing great mercy. A day when all the mercies of the year gather together to manifest themselves.

At night there should be fireworks, the night sky strewn with the holy signs of divine fun - written in streams of fire, and whirling catherine wheels that light up the dancing of the fools. For lovers this is the day of the year to celebrate love; their patron saint is the Fool, for all lovers are one with the Fool, as they are one with the artist and the poet, they are of the same race.

All Fools Day should be celebrated everywhere by everyone; some with dancing, some with feasts, some with fasting. A day when all the failures in life, the misfits, the deformed ones, the simple minded ones should be revered by all men with awe - and to them should be given gifts; gifts piled at their doors in the morning, gifts given all day. They should be celebrated as one of the mysteries of life. Yes, this would be the one day of the year in which all human beings could dissolve the cruel monotony of the utilitarian principle of work and respectability, that with the plausible teeth of its mechanism, tries to destroy the mysterious wonders of life.

thank you Cecil Collins

Gun-Runners or Peace-Keepers?

I'm about to start a campaign to challenge the people to demand a stop to UK and USA being the gun-runners of the World. I have been told that UK and USA account for over 65% of all the guns bombs and bullets and military hardware sold and distributed in the World. I want to get the actual % figure if possible.

We have a history of arming little countries, propping up savage Dictators and regimes when it suits our political/economic aims to do so, including Gaddafi who we armed, and then going in, guns blazing to depose them when they no longer serve us, and never admit it was us who put and kept them there in the first place! It's dark.

In the case of Sadam Hussein and many others, as he couldn't afford our arms, WE EVEN LENT HIM THE MONEY TO BUY THEM FROM US. And after he used the arms to abuse his own people we now, having killed him, have left the Iraqi people with the debts he racked up. Yes, we are expecting them to pay us back for the loans we gave out for his illegal arms we supplied. Beyond evil.

This is all being done in our name. Our governments work for us. We are the CEO, the Shareholders. They are our employees. We have forgotten this. They are accountable to us. This needs to be woken up to.

Libya is another great example.

My endgame is that

a) we stop arming the world

and until then

b) every gun, bullet, bomb and piece of military hardware UK and USA manufacture has to be tagged and tracked. We need to know where EVERYTHING we make goes, is sold, distributed.

It is INCREDIBLE that this has gone on so long.

I need contacts, information, research, input - folks who know their stuff about this please.

thanks

 

Follow Jamie Catto http://twitter.com/#!/JamieCatto